There are certain musical traditions and practices, present in Syria longer than others that took influence from surrounding cultures.
music in Syria is related greatly to poetry, influenced greatly by the Bedouin nomadic tribes, and the maqam system in Arabic classical music. Generally, Syrian music has a singer who is accompanied by three or four instruments.
The texture is usually thin but can become denser depending on the use of each instrument. The main components are a maqam (a set of scales made up of three or four notes), and an iqa (rhythm/meter).
A maqam will have two or three scales put together and played over the iqa (rhythm).
Both the maqam and iqa can be advanced or simple to play.

The Bedouin influence

Bedouin music is near-inseparable from poetry as is much of the music traditions in the Middle East. Many of the songs are in an oral tradition due to the nomadic nature of the Bedouin tribes.

Syrian​​ Christian music:

Syria, being one of the countries where Christianity originated, has a long history of church music.
It is the origin of the Christian hymnody, which was entirely developed in Syria.

Syrian dances

Dabkeh

One of the most popular dances in Syria; is a folk dance combining circle dancing and line dancing formed from right to left and headed by a leader who alternates between facing the audience and other dancers.
It is mostly performed at weddings and other joyous occasions.
Other popular folklore dances include the "Arāḍa" (Arabic: عراضة), a dance performed with swords, as well as oriental dance for women.
There are several regional variations of Dabkeh around the country. Each type has its corresponding set of songs, often centered around themes of love.

Samah Dance:

Another traditional Syrian dance, while less popular than dabkeh, it holds a special cultural significance.
Samah involves graceful movements, often accompanied by music and rhythmic patterns. Usually performed during various ceremonies and celebrations.

Learn more about Syrian arts